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Goodbye from Feminist Performers

I am sorry to say that, due to personal reasons and other commitments, I will no longer be updating this website. I’ll leave the interviews and index here in case the work I’ve done so far is still useful, but I won’t be adding new events to the calendar, updating the Facebook page  and Twitter feed, or posting to the blog.

If you’d like to find out about feminist events around the UK, or advertise your own events, The F-Word lists events here, and UK Feminista here. Feminist events in London can be found on http://www.feministevents.org.uk/

Thank you to everyone who has supported this project, and I’m sorry it has been so short-lived. Thank you especially to everyone who has given their time to let me interview them. It has been great to discover so many fantastic performers.

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Feminist Performers workshops

About six months ago, I left the collective I had been performing with in order to develop a solo act. One of the biggest differences I have found since working alone is that I no longer have a built-in mechanism for getting feedback on work in progress and bouncing ideas off other people. Working with a group, you get that automatically at rehearsals. Working as a solo performer, I need to actively seek out opportunities to try out new material. I’ve taken part in Funny Women‘s workshops for stand-ups, and found them really helpful for boosting confidence and getting ideas, though they are a little pricey. I’ve also been along as an audience member to Oxford’s Theatre Scratch Night, where directors, writers and performers have a chance to share work in progress in a theatre and get detailed feedback from the audience. I hope to present my own work at Scratch Night at some point, though I haven’t got up the courage yet! Both these events are great opportunities to try out new ideas with a supportive group. However, I found myself thinking that, as a feminist performer, it would also be useful to have something more specific to my needs.

I write my material with particular political values and goals in mind. When I talk about the ways that I am marginalised as a bisexual woman, I want not only to challenge those attitudes that affect me directly, but also to avoid perpetuating ideas that marginalise other groups in the process. I try to be alert to the ways that language can reinforce oppression, and the ways my own privilege can lead me to unintentionally exclude others. It’s hard, and sometimes I get it wrong.

I think it would be helpful for me – and hopefully for other feminist performers too! – to get together with a group of performers who share the same broad values, so that we can help one another to develop our performance in ways that further those values. The aim would be to share work in progress with our peers, and offer constructive criticism based on a shared understanding of the structures of privilege and oppression we all aim to challenge. Ideally the group would include people with diverse experiences and perspectives, so that we are each able to challenge and educate one another.

If this sounds like something you’d be interested in getting involved with, please comment on this post or email me at ann@feministperformers.com.

[Edited to clarify a few points] At this stage, I’m just trying to gauge whether this is something people are interested in. We can talk about dates and venues and so on once there are a few of us to have that conversation. It would probably be 2-3 hours at a weekend, and the cost to each participant would be as much as is necessary to cover venue hire. I realise this is all fairly vague, so don’t worry – you don’t need to commit to anything! This is just me putting out feelers to see if there is interest. More specific details will be advertised as soon as they’re decided – if you want to be involved in helping to make those decisions, then please get in touch!

Realistically, anything organised by me is probably going to take place in Oxford or London. However, if you’d like to hold a workshop elsewhere, comment on this post anyway as you may find other people in your area that way!

I hope to be meeting with some of you in person soon.

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Women’s Liberation Music Archive and Exhibition

The Women’s Liberation Music Archive aims to document feminist music in the 1970s and 80s. Archive co-ordinators Deborah Withers and Frankie Green have collected together a vast array of recordings, photographs, press clippings, posters and information about the role of music in the Women’s Liberation Movement, and the role of feminism in music-making at the time. Much of the archive can be seen online at http://womensliberationmusicarchive.wordpress.com, and you can experience the archive more directly at the Music and Liberation Exhibition, currently at Space Station 65 in London. Continue Reading »

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Review: What The Frock!

What the Frock! logoWhat The Frock! is a soon-to-be regular women’s comedy night in Bristol.  Started in January 2012 by writer and feminist activist Jane Duffus, WTF! was organised in response to the failure of most comedy shows to include female stand-ups.  It aims to be an inclusive event where anyone is welcome in the audience, but the stage is reserved for women (understood to mean anyone who identifies as a woman).

Though not explicitly focused on feminist acts, WTF! does avoid booking performers who have a history of supporting misogynistic views, or who might make any audience member feel alienated or offended. (See the booking policy.) It was originally intended to be a one-off event, but  three comedy nights and two fundraisers later,  WTF! now has a regular monthly slot starting in January 2013. I went to see WTF! 3, which was held in association with the UK Feminista summer school.
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Sophia Blackwell

Sophia BlackwellWho is Sophia Blackwell?

Sophia Blackwell is a writer and spoken word performer who has published a book of poetry (Into Temptation) and more recently a novel (After My Own Heart). She performs her poetry at events such as Club Wotever, Apples and Snakes and Hammer and Tongue.

She also acts as a compere at music showcase Society of the Golden Slippers, and has previously hosted burlesque shows, variety night Catweazle, and poetry open mic night Jawdance.

What is her Edinburgh show about?
Sophia is performing a solo show called After My Own Heart. She is also a guest performer at spoken word open mic show Other Voices. After My Own Heart will combine readings from her novel of the same name, dramatic monologues, jokes and poetry. The show is about love, dating and random hook-ups with the wrong people, and will explore how the poems and the book intersect with each other.

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Tina Sederholm: Evie and the Perfect Cupcake

When Tina Sederholm and I met to discuss feminism and performance, we had a lot to say to one another. So much, in fact, that I didn’t think I’d be able to write it all up in time for the opening of her Edinburgh Fringe show. So this post is part one of two. I’ll be focussing here on her show “Evie and the Perfect Cupcake“, and will come back in a later post to other less time-sensitive but equally interesting parts of our discussion.

Trigger warning: This post and Tina’s show contain triggers for body-policing and disordered eating.

Who is Tina Sederholm?

Tina Sederholm has been writing poetry for over 10 years and performing slam poetry since 2005. She co-hosts Oxford slam Hammer and Tongue with Lucy Ayrton. This August she is taking her first full length solo show to the Edinburgh Fringe Festival.

What’s her show about?

“Evie and the Perfect Cupcake” tells the story of a dystopian alternative universe called “The Calorie Galaxy”, where the state monitors citizens’ calorie intake and calculates their wages accordingly. The story is told from the perspective of the long-suffering Evie, who struggles to live up to the Calorie Galaxy’s ideals of beauty and thinness. Evie is contrasted with her sister Perfectionetta, a TV presenter who appears to have succeeded in everything Evie is failing, and her Aunt Gloria, who rejects the sisters’ goals altogether in favour of travel and adventure. While Evie gets sucked deeper into the dysfunctional value system of the Calorie Galaxy, Aunt Gloria’s occasional appearances provide an alternative viewpoint.

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Lucy Ayrton: Lullabies to Make Your Children Cry

Lucy Ayrton: Lullabies to make your children cryWho is Lucy Ayrton?

Lucy Ayrton is a poet, singer and storyteller. She has been involved in slam poetry for several years, and this summer she’s performing at the Edinburgh Fringe in her first full-length solo show, “Lullabies To Make Your Children Cry”.

 

As well as performing, she is also involved in organising several open mic events: in Oxford she co-hosts monthly poetry slam Hammer and Tongue, and in Edinburgh she is running the spoken word event “Flea Circus Open Slam”. She is keen to encourage more women to perform, and to investigate why women are so under-represented in slam poetry.

What’s her show about?

“Lullabies To Make Your Children Cry” explores the way fairy tales have changed over time. Once upon a time fairy tales were stories that mothers would tell their children to teach them about the world, and to warn them about the dangers they might face. Now most of us know about fairy tales through films made by rich men we will never meet. The loss of the intimacy between story-teller and child affects the kind of messages the stories convey: no longer told out of love and concern for the child, the fairy tales we take in now tell us very different things from those our mothers might tell us. In particular, Lucy considers the role of women in fairy tales, and the limitations these place on what girls can expect for themselves.
Continue Reading »

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